links to interesting articles about the music industry, compiled here mostly for my own benefit
Saturday, 12 December 2009
Friday, 4 December 2009
Monday, 30 November 2009
Q&A with Robin Kent, mostly about whether free ad-supported music can work
and a Guardian article about Spotify: http://www.guardian.co.uk/business/2009/nov/29/spotify-music-industry-funding
Wednesday, 25 November 2009
Wednesday, 18 November 2009
Thursday, 12 November 2009
Tuesday, 10 November 2009
Friday, 6 November 2009
Tuesday, 3 November 2009
Friday, 30 October 2009
Wednesday, 28 October 2009
two good pieces from Bob Lefsetz
1) Eric Garland on the movie business: http://lefsetz.com/wordpress/index.php/archives/2009/10/28/eric-garland-on-the-movie-music-business/
2) some good ideas in here about empowering the audience: http://lefsetz.com/wordpress/index.php/archives/2009/10/28/empowering-the-audience/
2) some good ideas in here about empowering the audience: http://lefsetz.com/wordpress/index.php/archives/2009/10/28/empowering-the-audience/
Tuesday, 13 October 2009
Monday, 12 October 2009
Thursday, 8 October 2009
two articles highlighting problems with current digital music business models
http://digitalmusicnews.com/stories/100709dmf1
http://www.billboard.biz/bbbiz/content_display/industry/e3iecb83415cefdd2b09a867b6dd5ef7b6f
We need licensed unlimited download services right now, like Virgin Media's and TDC's
http://www.billboard.biz/bbbiz/content_display/industry/e3iecb83415cefdd2b09a867b6dd5ef7b6f
We need licensed unlimited download services right now, like Virgin Media's and TDC's
Friday, 2 October 2009
Wednesday, 23 September 2009
Tuesday, 22 September 2009
Monday, 21 September 2009
Wednesday, 16 September 2009
Thursday, 3 September 2009
Wednesday, 2 September 2009
Tuesday, 1 September 2009
differing views on copyright
Lucian Grainge letter to the Guardian: http://www.guardian.co.uk/business/2009/aug/29/universal-music-downloads-digital
Blog saying cutting off internet users is going in the wrong direction:
http://www.mediafuturist.com/2009/08/uk-disconnecting-the-troublemakers.html
Guardian piece on The Pirate Party and copyright: http://www.guardian.co.uk/technology/2009/aug/26/filesharing-pirate-party-uk-downloads
Blog saying cutting off internet users is going in the wrong direction:
http://www.mediafuturist.com/2009/08/uk-disconnecting-the-troublemakers.html
Guardian piece on The Pirate Party and copyright: http://www.guardian.co.uk/technology/2009/aug/26/filesharing-pirate-party-uk-downloads
Saturday, 22 August 2009
viral promotion on the JK wedding dance video
Wednesday, 22 July 2009
Wednesday, 15 July 2009
Tuesday, 30 June 2009
Friday, 26 June 2009
Wednesday, 24 June 2009
Friday, 19 June 2009
Thursday, 4 June 2009
Friday, 22 May 2009
Wednesday, 20 May 2009
Thursday, 14 May 2009
Thursday, 7 May 2009
Thursday, 30 April 2009
Thursday, 23 April 2009
Tuesday, 21 April 2009
Monday, 20 April 2009
Tuesday, 14 April 2009
Monday, 6 April 2009
Andrew Orlowski on blanket licensing
he proposed it here: http://www.theregister.co.uk/2004/09/23/orlowski_interactive_keynote/print.html
then went off the idea here: http://andreworlowski.com/?p=458
then went off the idea here: http://andreworlowski.com/?p=458
Thursday, 2 April 2009
Thursday, 26 March 2009
Saturday, 21 March 2009
Thursday, 19 March 2009
Sunday, 8 March 2009
Monday, 16 February 2009
Thursday, 12 February 2009
Tuesday, 27 January 2009
Sunday, 25 January 2009
Bob Ezrin on quality in an email to Bob Lefsetz
"Bob,
I usually sit on the sidelines and eat my popcorn as I enjoy the theater that is you and this wonderful newsletter. You're better than most movies and just about any music that's out there right now for entertainment. And even when I think you're being a stick in the mud, you do it so artfully and passionately that it's ok and I enjoy the performance for its own sake.
But this one has to be answered - with affection and the deepest respect of course. You start this with the word "Quality" and then you proceed to counsel struggling musicians to contort themselves and what they do to fit the market so that they can "make it in this business". But here's the true bottom line: This business of exploiting art and entertainment is built from it's very inception on creativity and quality, on special things made by special people that touch, inform, elevate, divert, soothe, numb, challenge or sometimes even drive other people enough so that they are drawn to it and want it to be a part of their lives - either for the moment or for a very long time. When they want it, they sometimes pay for it in one way or another and this special stuff sometimes accrues a value beyond the ephemeral and actual makes money for its creator and for the folks who help to support and market it. Sometimes it becomes more vaulable than gold and stars are born.
But unless it is especially touching in some way (even if it's in a juvenile or prurient way), nobody will care and it will end up having no value at all. Which then goes to your title "Quality". If a thing lacks quality of some sort, it will not touch anyone. It will simply be a not so special thing in a world of not so special things. It will blend in and disappear. But if a work or performance is of high quality and special, then it has at least a shot at becoming valuable to someone - and the person who creates it has a shot at being appreciated and rewarded for it. If I were talking to "struggling musicians" I would say:
First, be special. Make something of such high quality that anyone would care. And that's not as easy as it sounds. Just because you can use a sequencer and play an instrument doesn't make you an artist. You have to create something that is special - unique and capable of moving others in a meaningful way. Once you are truly special, truly great at what you do, you may have a chance at finding an audience willing to reward you for your specialness. More than likely you will not, because special - by definition - belongs to the very few. But if you do, then someone somewhere might recognize that and show up to help you to take your creativity out to a wider audience.
How do you get recognized in the first place? Play to people as much as you can. They will let you know if and when you are truly special because they will either begin to pay you to do this, to be able to be close to you - or they will ignore you. Play: in your town; at your school; in the next town over; on the web (but that's a whole other and longer discussion); at parties - anywhere you can. If you have created something truly special someone will recognize this and the ball will start rolling.
But whatever you do, DO NOT pick a market and try to create for it. You may decide to do that later in life when you become so good at your craft that you can aim your creativity wherever you wish, even when it doesn't please you. But you cannot start there. No one is born a hack. Hacks are failed or jaded artists, each and every one. First you must be able to create for yourself and find the way in which you may be special, and then you have to work on becoming really great at that. Create from your heart and from your will. Your will is what you use to keep you practicing and trying and trying to get better at what you do. Your heart is where the inspiration comes from to use that ability to make something really truly special. But above all DO NOT listen to critics, pundits or "experts" who try to bend you to what is happening now. By the time you get there, now will be long gone.
Dedicate yourself to quality, to being the very best at what you do and then use that quality to create or be something truly great. Then you may have a shot at "making it". But whether you become a star or not, you will have become and will forever be someone very special. And others will know you for that.
End of lecture.
Thanks
Bob"
The above is copyright Bob Ezrin. Bob, if you would like it removed from here please email worldsgreatestmusic@googlemail.com
I usually sit on the sidelines and eat my popcorn as I enjoy the theater that is you and this wonderful newsletter. You're better than most movies and just about any music that's out there right now for entertainment. And even when I think you're being a stick in the mud, you do it so artfully and passionately that it's ok and I enjoy the performance for its own sake.
But this one has to be answered - with affection and the deepest respect of course. You start this with the word "Quality" and then you proceed to counsel struggling musicians to contort themselves and what they do to fit the market so that they can "make it in this business". But here's the true bottom line: This business of exploiting art and entertainment is built from it's very inception on creativity and quality, on special things made by special people that touch, inform, elevate, divert, soothe, numb, challenge or sometimes even drive other people enough so that they are drawn to it and want it to be a part of their lives - either for the moment or for a very long time. When they want it, they sometimes pay for it in one way or another and this special stuff sometimes accrues a value beyond the ephemeral and actual makes money for its creator and for the folks who help to support and market it. Sometimes it becomes more vaulable than gold and stars are born.
But unless it is especially touching in some way (even if it's in a juvenile or prurient way), nobody will care and it will end up having no value at all. Which then goes to your title "Quality". If a thing lacks quality of some sort, it will not touch anyone. It will simply be a not so special thing in a world of not so special things. It will blend in and disappear. But if a work or performance is of high quality and special, then it has at least a shot at becoming valuable to someone - and the person who creates it has a shot at being appreciated and rewarded for it. If I were talking to "struggling musicians" I would say:
First, be special. Make something of such high quality that anyone would care. And that's not as easy as it sounds. Just because you can use a sequencer and play an instrument doesn't make you an artist. You have to create something that is special - unique and capable of moving others in a meaningful way. Once you are truly special, truly great at what you do, you may have a chance at finding an audience willing to reward you for your specialness. More than likely you will not, because special - by definition - belongs to the very few. But if you do, then someone somewhere might recognize that and show up to help you to take your creativity out to a wider audience.
How do you get recognized in the first place? Play to people as much as you can. They will let you know if and when you are truly special because they will either begin to pay you to do this, to be able to be close to you - or they will ignore you. Play: in your town; at your school; in the next town over; on the web (but that's a whole other and longer discussion); at parties - anywhere you can. If you have created something truly special someone will recognize this and the ball will start rolling.
But whatever you do, DO NOT pick a market and try to create for it. You may decide to do that later in life when you become so good at your craft that you can aim your creativity wherever you wish, even when it doesn't please you. But you cannot start there. No one is born a hack. Hacks are failed or jaded artists, each and every one. First you must be able to create for yourself and find the way in which you may be special, and then you have to work on becoming really great at that. Create from your heart and from your will. Your will is what you use to keep you practicing and trying and trying to get better at what you do. Your heart is where the inspiration comes from to use that ability to make something really truly special. But above all DO NOT listen to critics, pundits or "experts" who try to bend you to what is happening now. By the time you get there, now will be long gone.
Dedicate yourself to quality, to being the very best at what you do and then use that quality to create or be something truly great. Then you may have a shot at "making it". But whether you become a star or not, you will have become and will forever be someone very special. And others will know you for that.
End of lecture.
Thanks
Bob"
The above is copyright Bob Ezrin. Bob, if you would like it removed from here please email worldsgreatestmusic@googlemail.com
Wednesday, 21 January 2009
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